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Since I found this film extremely difficult to enjoy, I opted to simply dislike it instead. EXORCISMUS (2010) is yet another exorcism story produced by Julio Fernández and directed by Manuel Carballo , THE RETURNED,, but it adds a slight twist to the usual format. Let’s wish for a better film from John Carpenter in the future; WRONG SIDE OF TOWN (2010) represents director/writer/producer David DeFalco’s (CHAOS) notion of what action cinema should be, and it is rather poor. The screenplay, crafted by brothers Michael and Shawn Rasmussen, is riddled with cliches and contrived elements, leaving one to wonder why Carpenter would engage with such material. He has shared the screen with Kilmer in STREETS OF BLOOD (2009) and BLOOD OUT (2011); THE WARD (2010) stands out as the weakest film in John Carpenter’s career for numerous reasons. In this typical revenge narrative, Jackson portrays a relentless gun runner who eliminates Val Kilmer’s wife, caught in the crossfire of a shootout between rival gangs, one of which is led by Jackson.
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- While this film has very little blood or gore (there is still an “ick” factor to some of the scenes), such as the black stain on the ceiling pouring gooey black liquid into Rachel’s mouth while the hag forces her mouth open and various quick clips of people dying when Rachel speaks.
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- Just like all of Jeff Nicols’ films — the pace is purposely slow, but rewards the viewers with surprises you didn’t expect.
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This starts out as a very remarkable film, but by the time the third story comes around, you’ll be looking for the film to end quickly and quietly, which it doesn’t. The killings don’t start until the final third of the movie , which is full of black & white flashbacks, and those expecting tons of gore should be told that it is Rated PG-13 and is part of Adam Sandler’s new company “Scary Madison”; THE SEAMSTRESS (2009) is standard DTV horror about a spectre who sews the eyes and mouth of her victims shut after she was killed by a bunch of vigilantes twenty years earlier. Yes, this is another boring and overlong found footage flick that runs 107 minutes (a loooong 107 minutes) and doesn’t offer the viewer anything in the way of entertainment.
(As we see from the opening shot of the film (Annie has a condition known as complete heterochromia iridum literally “different colored iris”. Its cause is unknown), but many experts believe it might result from a lack of genetic diversity.) Right from the start we know Nichole & Annie’s mother was a bitch with a capital “C”. Highly recommended;; THE DIVIDE (2011), one of the better modern-day post-apocalyptic thrillers from director Xavier Gens , FRONTIER(S, ); A LONELY PLACE TO DIE (2011), a tense thriller about a group of mountain climbers who find a little girl buried alive and then must spend the rest of the film trying to dodge the girl’s kidnappers. It makes complete sense when you think about it after the film is well over and is one of the few modern thrillers to actually take me by surprise. To make a long story short (the film is a little overlong at 111 minutes), Bernard and a bunch of his police buddies use Fort Goben as a meeting place where they begin their hunt for human prey (a little THE MOST DANGEROUS GAME thrown in) and bring back the heads for trophys to the Fort.
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While the film features a considerable number of gory fatalities and characters with large, pointed teeth, the final twenty minutes set in a cave contain some of the most questionable CGI I’ve seen since a SyFy Original Film. To conclude (I will simply say that contemporary Italian horror films tend to disappoint more often than they succeed), and this one misses the mark by a significant distance. Paul , Robert Capelli Jr.,, who has feelings for Clarissa, takes the lead as they arrive at the Atlas Mountains, but he leads the group hopelessly astray while heading to the camping site, compounded by the lack of cellphone service—a common trope in modern horror films. SINNER , also known as NIGHT OF THE SINNER, is a notably weak example of modern Italian Gothic horror, featuring Robert Englund. I appreciate a good martial arts fight, but this film lacks a coherent storyline, and the basketball element is merely absurd; THE LAST RESORT (2009) is a disappointingly short (75 minutes) yet tedious tale of attractive young individuals trapped at an abandoned resort in Mexico, where possession by a deranged cannibal transfers from person to person upon death.
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